Born in Paris and based in New York City, Camille Henrot’s practice moves seamlessly between film, painting, drawing, sculpture and installation. The artist references self-help, online second-hand marketplaces, cultural anthropology, literature, psychoanalysis, and social media to question what it means to be at once a private individual and a global subject. A 2013 fellowship at the Smithsonian Institute resulted in her film Grosse Fatigue, for which she was awarded the Silver Lion at the 55th Venice Biennale. She is the recipient of the 2014 Nam June Paik Award and the 2015 Edvard Munch Award. A corresponding exhibition will open at Oslo’s newly opened Munch Museum in fall 2021. She elaborated ideas from Grosse Fatigue to conceive her acclaimed 2014 installation “The Pale Fox” at Chisenhale Gallery in London. The exhibit, which displayed the breadth of her diverse output, went on to travel to institutions including Kunsthal Charlottenburg, Copenhagen; Bétonsalon – Centre for art and research, Paris; and Westfälischer Kunstverein, Münster, Germany. In 2017, Henrot was given carte blanche at Palais de Tokyo in Paris, where she presented the major exhibition “Days Are Dogs.”
Henrot has had additional solo exhibitions at the New Museum, New York; Schinkel Pavillon, Berlin; New Orleans Museum of Art; Fondazione Memmo, Rome; and Tokyo Opera City Art Gallery, Japan. Upcoming solo exhibitions include the National Gallery of Victoria, Melbourne, Australia (2021), Art Sonje, Seoul, South Korea (2020) and Middelheim Museum in Antwerp, Belgium (2022). She has also participated in the Lyon, Berlin and Sydney Biennials.